Fabiola Quezada will exhibit his latest works from Saturday, September 18 (vernissage from 18.00) to September 22, 2010 as a school 22 to Cassarate .
I greatly appreciate the work of Fabian and I think that addresses the issues are delicate and full of deep symbolism. I wrote a short text as a possible key to his show:
At the cultural month, this year the banner of "Japan", Fabiola Quezada has spaces in its Lugano-Cassarate the exhibition entitled "Beyond The 'East'.
... She looks at it further.
His is a tribute to Mexico "bicentennial" which commemorates the 200 years of independence from Spain (September 16, 1810) and the 100th anniversary of the Revolution (November 20, 1910). Fabiola Quezada
With this exhibition celebrating, through a profound reflection contemporary, his native land. Always the artist worked on the details of the landscape typically Mexican, looking for signs and inspiration in nature, and expressing their ideas through different techniques, moving from photography to painting, etching dall'acquerello. The protagonists
Fabiola Quezada favorite works are the cactus: the essence of his Mexico.
The large paintings have a strong innate color, from the poignant expression that goes straight to the heart.
In his works there is always a subtle whisper of a Cassandra, the landscapes are not quiet, live intrinsic instability of color, gesture, vigorous brushwork to the shrill nature.
As Andre Gide said, "The art begins with the resistance: from resistance won. There is no human masterpiece has been painstakingly achieved "... and the works of living Fabiola Quezada intensity of this metaphorical struggle color, contrast, bright colors, acrylics and mixed media shouting their message from the red" Caravaggio " . A warning to an allegorical Holofernes.
The subject expands dramatically, offering the viewer, not just a new dimension of thinking, a new aesthetic perspective but also strongly represented on the canvas.
The city grew and, sprawling like an animal, where it first comes inexorably were quiet and large expanses of cactus. El valle de México, disappeared space in the metropolis. The composition, therefore, in turn, together with the support disappears, leaving us involved in a whirlwind of sensations, and revealing himself to us under the guise of a "Judith / Artemisia," a perfect metaphor for today's Mexico.
Aymone Poletti
Lugano, September 2010
I greatly appreciate the work of Fabian and I think that addresses the issues are delicate and full of deep symbolism. I wrote a short text as a possible key to his show:
At the cultural month, this year the banner of "Japan", Fabiola Quezada has spaces in its Lugano-Cassarate the exhibition entitled "Beyond The 'East'.
... She looks at it further.
His is a tribute to Mexico "bicentennial" which commemorates the 200 years of independence from Spain (September 16, 1810) and the 100th anniversary of the Revolution (November 20, 1910). Fabiola Quezada
With this exhibition celebrating, through a profound reflection contemporary, his native land. Always the artist worked on the details of the landscape typically Mexican, looking for signs and inspiration in nature, and expressing their ideas through different techniques, moving from photography to painting, etching dall'acquerello. The protagonists
Fabiola Quezada favorite works are the cactus: the essence of his Mexico.
The large paintings have a strong innate color, from the poignant expression that goes straight to the heart.
In his works there is always a subtle whisper of a Cassandra, the landscapes are not quiet, live intrinsic instability of color, gesture, vigorous brushwork to the shrill nature.
As Andre Gide said, "The art begins with the resistance: from resistance won. There is no human masterpiece has been painstakingly achieved "... and the works of living Fabiola Quezada intensity of this metaphorical struggle color, contrast, bright colors, acrylics and mixed media shouting their message from the red" Caravaggio " . A warning to an allegorical Holofernes.
The subject expands dramatically, offering the viewer, not just a new dimension of thinking, a new aesthetic perspective but also strongly represented on the canvas.
The city grew and, sprawling like an animal, where it first comes inexorably were quiet and large expanses of cactus. El valle de México, disappeared space in the metropolis. The composition, therefore, in turn, together with the support disappears, leaving us involved in a whirlwind of sensations, and revealing himself to us under the guise of a "Judith / Artemisia," a perfect metaphor for today's Mexico.
Aymone Poletti
Lugano, September 2010
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