Tuesday 5 October to Tuesday, October 12 at the gallery you can visit the exhibition entitled "Manuscripts." An exhibition devoted to calligraphy personal Enzo Pelli.
Hours: daily from 15:00 to 19:00
Thursday, September 30, 2010
Touch Screens For Toddlers
reminder: Exhibition of Enzo Pelli
Tuesday 5 October to Tuesday, October 12 at the gallery you can visit the exhibition entitled "Manuscripts." An exhibition devoted to calligraphy personal Enzo Pelli.
Hours: daily from 15:00 to 19:00
Tuesday 5 October to Tuesday, October 12 at the gallery you can visit the exhibition entitled "Manuscripts." An exhibition devoted to calligraphy personal Enzo Pelli.
Hours: daily from 15:00 to 19:00
Thursday, September 16, 2010
Drapery Rods Fro L Shape Windows
Fabiola Quezada exhibits in the gallery in October Cassarate
Fabiola Quezada will exhibit his latest works from Saturday, September 18 (vernissage from 18.00) to September 22, 2010 as a school 22 to Cassarate .
I greatly appreciate the work of Fabian and I think that addresses the issues are delicate and full of deep symbolism. I wrote a short text as a possible key to his show:
At the cultural month, this year the banner of "Japan", Fabiola Quezada has spaces in its Lugano-Cassarate the exhibition entitled "Beyond The 'East'.
... She looks at it further.
His is a tribute to Mexico "bicentennial" which commemorates the 200 years of independence from Spain (September 16, 1810) and the 100th anniversary of the Revolution (November 20, 1910). Fabiola Quezada
With this exhibition celebrating, through a profound reflection contemporary, his native land. Always the artist worked on the details of the landscape typically Mexican, looking for signs and inspiration in nature, and expressing their ideas through different techniques, moving from photography to painting, etching dall'acquerello. The protagonists
Fabiola Quezada favorite works are the cactus: the essence of his Mexico.
The large paintings have a strong innate color, from the poignant expression that goes straight to the heart.
In his works there is always a subtle whisper of a Cassandra, the landscapes are not quiet, live intrinsic instability of color, gesture, vigorous brushwork to the shrill nature.
As Andre Gide said, "The art begins with the resistance: from resistance won. There is no human masterpiece has been painstakingly achieved "... and the works of living Fabiola Quezada intensity of this metaphorical struggle color, contrast, bright colors, acrylics and mixed media shouting their message from the red" Caravaggio " . A warning to an allegorical Holofernes.
The subject expands dramatically, offering the viewer, not just a new dimension of thinking, a new aesthetic perspective but also strongly represented on the canvas.
The city grew and, sprawling like an animal, where it first comes inexorably were quiet and large expanses of cactus. El valle de México, disappeared space in the metropolis. The composition, therefore, in turn, together with the support disappears, leaving us involved in a whirlwind of sensations, and revealing himself to us under the guise of a "Judith / Artemisia," a perfect metaphor for today's Mexico.
Aymone Poletti
Lugano, September 2010
I greatly appreciate the work of Fabian and I think that addresses the issues are delicate and full of deep symbolism. I wrote a short text as a possible key to his show:
At the cultural month, this year the banner of "Japan", Fabiola Quezada has spaces in its Lugano-Cassarate the exhibition entitled "Beyond The 'East'.
... She looks at it further.
His is a tribute to Mexico "bicentennial" which commemorates the 200 years of independence from Spain (September 16, 1810) and the 100th anniversary of the Revolution (November 20, 1910). Fabiola Quezada
With this exhibition celebrating, through a profound reflection contemporary, his native land. Always the artist worked on the details of the landscape typically Mexican, looking for signs and inspiration in nature, and expressing their ideas through different techniques, moving from photography to painting, etching dall'acquerello. The protagonists
Fabiola Quezada favorite works are the cactus: the essence of his Mexico.
The large paintings have a strong innate color, from the poignant expression that goes straight to the heart.
In his works there is always a subtle whisper of a Cassandra, the landscapes are not quiet, live intrinsic instability of color, gesture, vigorous brushwork to the shrill nature.
As Andre Gide said, "The art begins with the resistance: from resistance won. There is no human masterpiece has been painstakingly achieved "... and the works of living Fabiola Quezada intensity of this metaphorical struggle color, contrast, bright colors, acrylics and mixed media shouting their message from the red" Caravaggio " . A warning to an allegorical Holofernes.
The subject expands dramatically, offering the viewer, not just a new dimension of thinking, a new aesthetic perspective but also strongly represented on the canvas.
The city grew and, sprawling like an animal, where it first comes inexorably were quiet and large expanses of cactus. El valle de México, disappeared space in the metropolis. The composition, therefore, in turn, together with the support disappears, leaving us involved in a whirlwind of sensations, and revealing himself to us under the guise of a "Judith / Artemisia," a perfect metaphor for today's Mexico.
Aymone Poletti
Lugano, September 2010
Monday, September 13, 2010
What Color Does Ringworm Turn To When Healing
BIN: 4 iPhone does not do video calling on 3G network
I recently gave my wife a nice iPhone 4 even if the purchase was not so convinced. I had taken for assume that the video did, and then that could easily replace his old Samsung Omnia and periodically make video calls with his mother to let her see her grandchild as it grows.
The iPhone 4 no real video but a thing called a requirement that FaceTime has:
1) to have a wireless Internet connection via WiFi which
2) your partner have to have iPhone 4
3) you must tell your partner which is connected to the Internet via WiFi
the iPhone is not 'compatible with traditional video calling via 3G network! This' in my view unacceptable and the limit of misleading advertising! I do not see why 'is not to provide a mode' of traditional video (lower quality ok), so you can use it anywhere and even video calls to people who do not have an iPhone
Poor thing that really few people know! 
I recently gave my wife a nice iPhone 4 even if the purchase was not so convinced. I had taken for assume that the video did, and then that could easily replace his old Samsung Omnia and periodically make video calls with his mother to let her see her grandchild as it grows.
big mistake!!
The iPhone 4 no real video but a thing called a requirement that FaceTime has:
1) to have a wireless Internet connection via WiFi which
2) your partner have to have iPhone 4
3) you must tell your partner which is connected to the Internet via WiFi
the iPhone is not 'compatible with traditional video calling via 3G network! This' in my view unacceptable and the limit of misleading advertising! I do not see why 'is not to provide a mode' of traditional video (lower quality ok), so you can use it anywhere and even video calls to people who do not have an iPhone
Poor thing that really few people know!
Monday, September 6, 2010
The Bang Bros Watch Free
spazio78: exhibition of Enzo Pelli
From October 5 we are pleased to present the artist Enzo Pelli calligrapher with a solo show entitled MANUSCRIPTS.
Exposure "Manuscripts" artist-calligrapher Enzo Pelli wants to be attentive to detail shows a changing of the newspaper and sensitive to the fragility of our territory, which has become an ideal starting point for the representation through the poetic sign. Enzo Pelli
What is a real return to basics, the essence of being an artist, a research, its intimate and brave, brought to the small details of everyday life and to the narrative of everyday life.
As he says himself, his writing "oscillates between East and West" and, consequently, his art is developed along two separate tracks and mirror. In fact some works are characterized by predominantly black backgrounds, dancing between "balanced and unbalanced", where the bright color stands out, which could strengthen the presence, among lights and shadows, the bold strokes.
The other performances of his poems turn out to be, instead, a kind of 'genius loci' handwriting, where the writing turns into landscape architecture. Emerge as brown, green and blue, colors favored by the Flemish painters, once used to give more depth to the landscape and now synthesized in certain sections to delineate the space.
The words breathe vibrant artist in the act, a thickness and rhythmic changing from the edge of time (a precious companion always present), outlining the role of the scholar who interprets what he sees and feels, therefore allowing us to overcome the erroneous image that we could have a copyist-calligrapher, covered with texts.
Enzo Pelli's work is translated into writing an "expression the newspaper "and therefore does not fall from the concept of document apograph, is respectful of our becoming loving and attentive to every nuance of weight.
writing or manuscript, or the "handwritten", although nowadays more and more infrequent daily sign of the last century, it becomes a precious and rare fine art, where art is in the detail.
I remember these "petits riens" (much appreciated by Mozart) grandiose in their purity, turn out to be sensitive because of their masterpieces are revealed in a genuine and intrinsic magnificence that does not require the other to shine.
The letters, often crepuscular tones, emphasize a its theatricality to the text and in the moment of artistic creation, hovering lightly on the paper. The sense of the story and Article of geometric elements and deep stretches form the backdrop to the creative power of Enzo Pelli: shades become water reflections, the signs become free swallows take flight in the hatching space in the middle of a Text dancing freed from the constraints of words. The emptiness of the fund is reduced until it disappears in the infinite sky.
The artist knows the meaning of his work; "(...) on the one hand, a strong and solitary act that confronts the surface, empty sheet. The realization is almost lightning, not There is no room for hesitation before we start the whole path must be clear in your mind. "
Enzo Pelli is a poet of the stroke and feeling lost. In Her artwork looks, women and landscape disappeared, erased by the inexorable passing of time. As a Charles Baudelaire, or sung by Antoine Pol Brassens, who lost in embraces not return and failed to hold, Enzo Pelli reflects the human condition, so cruelly through the seasons, as it matures in its lucid resignation.
faces, clouds and gardens vanished into thin air, but still in memory, revived only on paper with the delicacy of those who could appreciate and love those simple and precious moments.
It sums up the profound feeling of an artist, moving into a design that goes beyond the mere writing. A sensitivity that helps us not forget that life is made of small unique moments, each of us must learn again to understand.
Aymone Poletti, August 2010 
From October 5 we are pleased to present the artist Enzo Pelli calligrapher with a solo show entitled MANUSCRIPTS.
Exposure "Manuscripts" artist-calligrapher Enzo Pelli wants to be attentive to detail shows a changing of the newspaper and sensitive to the fragility of our territory, which has become an ideal starting point for the representation through the poetic sign. Enzo Pelli
What is a real return to basics, the essence of being an artist, a research, its intimate and brave, brought to the small details of everyday life and to the narrative of everyday life.
As he says himself, his writing "oscillates between East and West" and, consequently, his art is developed along two separate tracks and mirror. In fact some works are characterized by predominantly black backgrounds, dancing between "balanced and unbalanced", where the bright color stands out, which could strengthen the presence, among lights and shadows, the bold strokes.
The other performances of his poems turn out to be, instead, a kind of 'genius loci' handwriting, where the writing turns into landscape architecture. Emerge as brown, green and blue, colors favored by the Flemish painters, once used to give more depth to the landscape and now synthesized in certain sections to delineate the space.
The words breathe vibrant artist in the act, a thickness and rhythmic changing from the edge of time (a precious companion always present), outlining the role of the scholar who interprets what he sees and feels, therefore allowing us to overcome the erroneous image that we could have a copyist-calligrapher, covered with texts.
Enzo Pelli's work is translated into writing an "expression the newspaper "and therefore does not fall from the concept of document apograph, is respectful of our becoming loving and attentive to every nuance of weight.
writing or manuscript, or the "handwritten", although nowadays more and more infrequent daily sign of the last century, it becomes a precious and rare fine art, where art is in the detail.
I remember these "petits riens" (much appreciated by Mozart) grandiose in their purity, turn out to be sensitive because of their masterpieces are revealed in a genuine and intrinsic magnificence that does not require the other to shine.
The letters, often crepuscular tones, emphasize a its theatricality to the text and in the moment of artistic creation, hovering lightly on the paper. The sense of the story and Article of geometric elements and deep stretches form the backdrop to the creative power of Enzo Pelli: shades become water reflections, the signs become free swallows take flight in the hatching space in the middle of a Text dancing freed from the constraints of words. The emptiness of the fund is reduced until it disappears in the infinite sky.
The artist knows the meaning of his work; "(...) on the one hand, a strong and solitary act that confronts the surface, empty sheet. The realization is almost lightning, not There is no room for hesitation before we start the whole path must be clear in your mind. "
Enzo Pelli is a poet of the stroke and feeling lost. In Her artwork looks, women and landscape disappeared, erased by the inexorable passing of time. As a Charles Baudelaire, or sung by Antoine Pol Brassens, who lost in embraces not return and failed to hold, Enzo Pelli reflects the human condition, so cruelly through the seasons, as it matures in its lucid resignation.
faces, clouds and gardens vanished into thin air, but still in memory, revived only on paper with the delicacy of those who could appreciate and love those simple and precious moments.
It sums up the profound feeling of an artist, moving into a design that goes beyond the mere writing. A sensitivity that helps us not forget that life is made of small unique moments, each of us must learn again to understand.
Aymone Poletti, August 2010
Thursday, September 2, 2010
Latex Balloon's Buoyancy
Help: Important update for Iomega StorCenter ix2-200!
Version 2.1.35.19973
Version 2.1.35.19973
- Improves read-write speeds to NTFS-formatted external USB drives (finally!)
- Allows writes to HFS-formatted external USB drives
- Fixes issue with device-to-device replication
- Resolves issues with iSCSI, Including fixing a bug reporting and resolving problems with capacity Caused by improper dismount of shares
- Modifies default drive spin-down behavior
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